Popular South American Poetry Books

Find poetry books written by authors from South America for the next part of the Read Around The World Challenge. (6)

1.

Fully Empowered by Pablo Neruda EN

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Description:
An important collection that includes some of the Nobel Prize winner's own favorite poems. "The Sea" A single entity, but no blood. A single caress, death or a rose. The sea comes in and puts our lives together and attacks alone and spreads itself and sing sin nights and days and men and living creatures. Its essence-fire and cold; movement, movement. Pablo Neruda himself regarded Fully Empowered -- which first appeared in Spanish in 1962 under the title Plenos Poderes -- as a particular favorite, in part because it came out of a most fruitful period in his life. These thirty-six poems vary fr... continue


3.

Oblivion and Stone : A Selection of Bolivian Poetry and Fiction by Sandra Reyes, John DuVal EN

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Editor Sandra Reyes has gathered a panoramic sampling of the work of twenty-three poets and eighteen fiction writers. Focusing predominantly on living practicing writers this anthology defines the current literary voice of Bolivia and gives us a distillation of the contemporary Bolivian consciousness.
Genre Poetry

4.

Song of the Flies : An Account of the Events by Maria Mercedes Carranza EN

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Canto de las Moscas (Song of the Flies), by the late Colombian poet MarĂ­a Mercedes Carranza, was published for the first time in 1997, following a decade marked by extremely high levels of violence in Colombia. At this point the country had already endured nearly half a century of armed struggle between government and rebel groups, and had more recently experienced the emergence of paramilitary forces and warring drug lords. Carranza wrote these twenty-four poems, each bearing the name of a town or city that had been the site of large-scale violence, as a sort of chronicle and commemoration of... continue


6.

The Fat Black Woman's Poems by Grace Nichols EN

Rating: 5 (1 vote)
Description:
Grace Nichols gives us images that stare us straight in the eye, images of joy, challenge, accusation. Her 'fat black woman' is brash; rejoices in herself; poses awkward questions to politicians, rulers, suitors, to a white world that still turns its back. Grace Nichols writes in a language that is wonderfully vivid yet economical of the pleasures and sadnesses of memory, of loving, of 'the power to be what I am, a woman, charting my own futures'.